Emil Hannover, A Catalogue Raisonné of the Works of Christen Købke no. 158.

Mario Krohn, A Catalogue Raisonné of the Works of Christen Købke no. 190 (here the later replica is wrongly reproduced instead of the present original painting. Today, the replica is owned by Schleswig-Holsteinische Landesmuseen, Schloss Gottorp).

Jørgen Folmer and Iben From, A Catalogue Raisonné of the Works of Christen Købke no. 190, reproduced vol. III, p. 151.

Exhibited: Kunstforeningen, “Malerier og Studier af Christen Schiellerup Købke”, 1884 no. 96. Kunstforeningen, “Fortegnelse over Christen Købkes Malerier”, 1912 no. 188. Kunstforeningen, “Christen Købke”, 1953 no. 103. The National Gallery of Denmark, “Christen Købke 1810–1848”, 1996 no. 190, mentioned p. 18, 85, 94, 304, 327–329, reproduced p. 328.

Literature: Mentioned in numerous books and magazines among others Anne-Birgitte Fonsmark, “Købke på Capri” in “Meddelelser fra Ny Carlsberg Glyptotek”, 1983 vol. 39, p. 76–98. Kasper Monrad, “Hverdagsbilleder. Dansk guldalder - kunstnerne og deres vilkår”, 1989, mentioned and reproduced p. 81. Henrik Bjerre, “Købke i knibe”, in Kunstmuseets Årsskrift, LXIII, 1990, p. 102–109. Hans Edvard Nørregård-Nielsen, “Christen Købke”, vol. III, 1996, mentioned p. 152–154 and p. 186–188, reproduced p. 151. Kasper Monrad, “Dansk guldalder. Lyset, landskabet, hverdagslivet”, 2013, mentioned p. 102f.

Provenance: Councillor I. S. Salomonsen. Mrs Dina Salomonsen. Her grandchild Inge Ryde (1961). Her descendants until today.

This painting was rejected as the artist's member piece for the Royal Academy of Fine Arts in Copenhagen in 1846.